R.J. Stefanski tracks on Soundclound

#rjsfoundsounds

Helicopter Drone [HD Field Recording] [FREE 96 k WAV Download]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - 01. Helicopter Drone [ Brooklyn, NY | 2018 | Zoom H6 ] This project takes my field recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Ambient
235
Back In '47 (F Train To Coney Island) [HD Field Recording]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - 02. Back In '47 (F Train to Coney Island) [ Brooklyn, NY | 2017 | Tascam DR-07] This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Field Recording
149
Coney Island Surf [HD Field Recording]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - 03. Coney Island Surf [ Brooklyn, NY | 2016 | Tascam DR-07 ] This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Nature Sounds
121
R.J. Stefanski - 20 X 2 - 04 - Bird Over My Shoulder
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - 04. Bird Over My Shoulder [ Prospect Park, Brooklyn, NY | 2018 | Zoom H6 ] This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Ambient
98
Romeo Rain and Thunder [HD Field Recording]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - 05. Romeo Rain and Thunder [ Romeo, MI | 2017 | Tascam DR-07 ] This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Nature Sounds
1,621
Late Summer Cricket Chorus [HD Field Recording | Relaxing Nature Sounds]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - 06. Late Summer Cricket Chorus [ Romeo, MI | 2017 | Tascam DR-07] This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Nature Sounds
87
R.J. Stefanski - 20 X 2 - 07 - Overlooking Eastern Pt. I - Construction
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - 07. Overlooking Eastern Pt. I - Construction [ Brooklyn, NY | 2018 | Zoom H6 ] This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Ambient
60
R.J. Stefanski - 20 X 2 - 08 - Tennis Request (Kids Playing At Highland Park)
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - 08. Tennis Request (Kids Playing at Highland Park) [Queens, NY | 2018 | Zoom H6] This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Ambient
54
Woodpecker and Spring Birds [HD Field Recording]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - 09. Woodpecker and Spring Birds [Prospect Park, Brooklyn, NY | 2018 | Zoom H6] This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Field Recording
145
Lake Erie Surf (Crashing Waves at Cedar Point) [HD Field Recording]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - Lake Erie Surf (Cedar Point) [ Ohio | 2013 | Tascam ? ] This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Nature Sounds
69
R.J. Stefanski - 20 X 2 - 11 - Sprinkler With Ky Lynn
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Ambient
47
Eavesdropping on Gossip [HD Field Recording | Urban Sound Effects]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Urban Sounds
53
R.J. Stefanski - 20 X 2 - 13 - Overlooking Eastern II Cars Passing In The Rain
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Ambient
47
Peaceful Waterfall With Birds [HD Field Recording]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Field Recordings
494
R.J. Stefanski - 20 X 2 - 15 - Walking Through McCarren Park In Autumn
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Ambient
43
Miami Fountains (Relaxing Sound of Water) [HD Field Recording]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Relaxing
59
R.J. Stefanski - 20 X 2 - 17 - Flashlight Tag (With Cameron And Ky Lynn)
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Ambient
39
R.J. Stefanski - 20 X 2 - 18 - Pool Filter And Tropical Grass
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Ambient
32
Ft. Tilden Surf (Crashing Waves) [HD Field Recording]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Nature Sounds
38
Shotgun Mic Test (Prospect Park Waterfall) [HD Field Recording]
R.J. Stefanski

20 x 2 [Miniature Worlds for Drifting and Daydreaming] - - - - - - - - - This project takes my recordings and frames them based on a few restrictions, namely that there are twenty soundscapes presented, and each is roughly kept to a length of two minutes. Editing or altering of recordings is kept to a minimum throughout, which leaves my own imprint in a few of these tracks (my voice, mic handling, footsteps, etc.. have always been removed from recordings, here they have been left in small doses for a more personal effect). Recordings were gathered over the past few years in Brooklyn, Romeo (MI), Miami, and Ohio (Lake Erie) and run the range from natural/rural to industrial/urban. How to listen? I recommend with a good pair of headphones and simply letting the whole 44 minutes wash over you as immersive ambient. This allows for the feeling of being able to drift in and out of these twenty diverse worlds. This album can also be viewed as a sound effects pack for producers wanting to add interesting textures to their work, or simply for DJs looking for a unique way to start or finish a set. - - - - - - All recordings, artwork, and concept by R.J. Stefanski 2018. All recordings done on either Tascam DR-07 or Zoom H6 with attachment mics.

Field Recording
115
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