#Indie

Gravity Circus - Bonsai I'm daunted like everyone I live, breathe and sleep with my cautious eye Unlike the other ghosts I'm hard to find I didn't know how lost I was, until I couldn't find you Your eyes were haunting red lights It shouldn't've been you Like my friends that're strapped on the backseat Worked up like some tamagotchi bonsai fire Seems like some virtual reality Some neon seems to talk to me And now I just close my eyes And everything just seems to float by In hindsight All that fell apart has showed up on the inside Has been poured together by the heart Has been shattered, recollected; take a new shot Bonsai, fractured to the bone Bonsai, my house is not a home Bonsai, done with pick apart Bonsai, ready for a new start Like my friends that're strapped on the backseat Worked up like some tamagotchi bonsai fire Seems like some virtual reality Some neon seems to cloud my mind And now I just close my eyes And everything just seems to float (2x) Like my friends that're strapped on the backseat Worked up like some tamagotchi bonsai fire Seems like some virtual reality Some neon seems to grab my eye Like my friends I am strapped on the backseat Burned up like some tamagotchi bonsai fire Seems like some virtual reality Some neon seems to grab my sight And now I open up my eyes And everything just seems to feel fine © ℗ 2019 Gravity Circus

Download/stream: https://jaymesyoung.lnk.to/HappiestYearSO See Jaymes on tour this Fall - details: http://happiestyear.net Happiest Year North American Tour: 10/30 – San Diego, CA – The Irenic 11/1 – Santa Cruz, CA – The Catalyst Atrium 11/2 – San Francisco, CA – Great American Music Hall 11/5 – Los Angeles, CA – Troubadour 11/8 – Portland, OR – Hawthorne Theatre 11/9 – Vancouver, BC – Imperial 11/10 – Seattle, WA – Neumos 11/13 – Denver, CO – Bluebird Theater 11/15 – Minneapolis, MN – Fine Line Music Café 11/16 – Chicago, IL – Bottom Lounge 11/17 – Detroit, MI – El Club 11/19 – Toronto, ON – The Mod Club 11/21 – New York, NY – Bowery Ballroom 11/22 – Cambridge, MA – The Sinclair 11/23 – Brooklyn, NY – Baby's All Right 11/24 – Washington DC – U Street Music Hall Lyrics: I’m really on the ropes this time I’ve been fighting all my life for you I never should’ve said goodbye Maybe that’s what stupid people do Cuz you gave me peace and I wasted it I’m hear to admit that you were my medicine Oh I couldn’t quit and I’m down on my knees again Asking for nothing Thank you for the happiest year of my life Thank you for the happiest year of my life Don’t think I could forgive my self I’m sorry for the ways that I used you And I could care less right now but you know you hurt me pretty good too Yeah we made each other bleed and we tasted it I’m hear to admit that you were my medicine Oh love I couldn’t quit and I’m down on my knees again Thank you for the happiest year of my life Thank you for the happiest year of my life So wake me up when they build that time machine I want to go back Wake me up when you were sleeping next to me Cuz I really loved you Thank you for the happiest year of my life Thank you for the happiest year of my life Thank you for the happiest year of my life Yeah Thank you for the happiest year of my life Thank you for the happiest year of my life Connect with Jaymes Young: Website: http://jaymesyng.com Twitter: https://twitter.com/jaymesyng Instagram: https://instagram.com/jaymesyng YouTube: https://youtube.com/jaymesyoung Facebook: https://facebook.com/jaymesyoungmusic

Float through and watch it all shimmer Let go, don't touch the dimmer Grab at water it gets away Or so they say All that is is meant to be This path you’re on will set you free The cosmos knows what’s best for you Or so it’s supposed to Reach only for what you can change Control is a car that just won't go Don’t listen to fear or ego Something like that, I don’t know Find a oneness with yourself Change perceptions for your health How you see beats what you see But maybe that’s just me It’s all you, it’s all you Love you, love you Piano looping through my brain From the dark I'm light again Stronger, brighter than yesterday Or so I’m told anyway Don't attach to former self Chase the lights don't hug the shelf Forward is all I come to see A kind of spiritual gluttony Rain pours through the night on the cafe This is it, the cosmic ballet Gentle souls kissed by the headlights Dancing in each others arms Ego crumbles through the holes Connected are these humble souls Sharing the beats with none of the tweets Now is all we’ve got Stay the course like true creators Drive the bus straight through the haters Drink Yes from a cup of No A bit sweet but here we go Go light when they go dark Show love with each remark No fire needs a spark Be the bigger man Trade fashion for compassion Outrage is an empty passion Upload joy for satisfaction Or something like that Don’t lean on what they say Non-contributors fade away Stay true to what drives you Piano time, here’s chorus two This goes through the music square Lifting souls through midnight air We convulse to the cosmic pulse Our shadows in the fog Love is all we know tonight Warm street light, hearts take flight Who needs fight when we’ve got sight And booze… just a little Follow through on motivation Dodge the bait for hesitation Think or do it’s up to you Only one will break through Make it for the lonely souls Loners, stoners and the trolls Show them how to love again Be the change, carve the grain

thanks again to V-Fun for hitting me up with the what you know stems out came this apparently ¯\_(ツ)_/¯ Thanks to DJ Drybowser for helping with mixing too, go check em out B) https://soundcloud.com/dongaldtrump Sources: Two Door Cinema Club - What You Know Toby Fox / Undertale OST - Megalovania

The third single from Flat Earth Surf Club (coming August 7th) https://ffm.to/overagain written, performed, and produced by Goldwash and Baird (https://soundcloud.com/bairdsongs) nylon guitar by Baird electric bass by Owen Forgione Hill drums by Brijesh Pandya saxophone by Ryan Parrish additional vocal production by Ted Trembinski mixed by Seth Manchester of Machines with Magnets mastered by Bazza Grint of Alchemy Mastering Lyrics: When you called my name I was feeling the worst Stumbled, falling to the floor Over again Happens every time I try to let you go; I’ll soon be crawling back to you Over again Now I see you on my phone You look good and I feel lonely I could never stay away from your colors Broken from the afterglow What we said was so unholy Really need you here right now Under covers, overthrown I caught the Megabus You ran to wave goodbye I swear you felt the same as me What’s happened since then? I guess it’s every time I try to let you go; Forget the things I said I’d do I’ll Soon be crawling back to you Over again Now I see you on my phone You look good and I feel lonely I could never stay away from your colors Broken from the afterglow What we said was so unholy Really need you here right now Under covers, overthrown

Formed in 2011 by members of several Russian indie rock bands, Hospital was the ambitious vision of talented lead vocalist Egor Berdnikov and realised by additional band members, Andrey Tsvetkov, lead guitar and backing vocals, Alexey Shorin, bass guitar and Vladimir Balovnev on drums. Now with two successful albums under their belt, having supported the Moscow legs of huge international tours, including Lana Del Ray, The Neighbourhood and The Kooks, Hospital are ready to release their third album. Since conception, the band has developed a heightened depth of sound, adding a hefty measure of electronica to their infectious indie tracks. Their sound is littered with iconic 80’s influence, from Bands such as New Order, Tears for Fears and INXS. The Cure has also been a continuous inspiration throughout the quartet’s discography. Hospital's story to date, is testament to the bands huge popularity in their home country, but we should expect the appeal of this energetic fourpiece to be far wider reaching in 2018. Egor Berdnikov - vocal, guitar Aleksey Shorin - bass Andrey Tsvetkov - guitar Vladimir Balovnev - drums Lyrics by Egor Berdnikov Music by Egor Berdnikov & Hospital

Falling backwards Into dark Is this the ending? Or just the start? A new beginning A wildcard I keep on spinning, spinning Falling faster into dark And there are oceans Between us Oceans, oceans There is so much Between us It’s over Let me go Just let me Let me Let me fall I’m floating Fading Into gold Just let me Let me Let me fall I’m fading Fading Falling faster Into dark An echo answers Light the spark Did I imagine We fell apart? A vast reflection Exploding in the dark And there is so much Between us Oceans, oceans An endless ocean Between us It’s over Fall, fall, fall, fall Falling backwards Fade, fade, fade, fade Fading faster More from CLAVVS Spotify open.spotify.com/artist/2JcWOIfDeHESCg42COyDy1 Youtube www.youtube.com/c/CLAVVSduo facebook.com/clavvs www.clavvs.com @clavvsduo Music :: CLAVVS Recorded and mixed at Studio 9 3/4, Brooklyn, NY Mastered by John Horesco IV for One Up Mastering, Atlanta, GA

@highsunn - COFFIN 3Y3S https://open.spotify.com/album/7DymcC0QmGdkpsED3YEYyQ?si=8ikCwQLOSPOmoVb4C07Lig Bay Area multi-instrumentalist/vocalist/songwriter Justin Cheromiah releases his latest album of melodic guitar-oriented indie rock! “If you combined the coming of age Studio Ghibli film, ‘Whisper of the Heart,’ and meshed it with references to bubble tea, and added some lyrics and guitar instrumentals, it would equate to a High Sunn song.” – Mica Kendall (altphilanthropy) https://twitter.com/HighSunn https://www.instagram.com/highsunnband/ https://www.youtube.com/channel/UCTAeYZD-kxuog_Ay1VwQA4Q https://www.facebook.com/highsunnband High Sunn is the project of San Francisco's Justin Cheromiah, who started using the name to upload his garage rock-influenced home recordings as a 14-year-old in 2014. His sound developed across dozens of releases over the next few years to the more coherent lo-fi guitar pop that marked High Sunn's first studio and full-band LP in 2018.  Cheromiah's entirely self-made debut album, High Sunn, appeared on Bandcamp in mid-2014. He followed it with a steady stream of singles, EPs, and LPs exploring shoegaze, punk, and melodic guitar pop, including September 2015's Luv Songs for Whiners. It featured drums and percussion by Tristin Sovannarath, who became a regular contributor to Cheromiah's recordings. A month later, The Okada Bedroom Sessions offered a feedback and distortion-filled collection of "songs that were either rough drafts or thrown in the trash."  Subsequent releases included the split EP Emotional sHits with childhood friends Junkie in April 2016, and that July, his live drummer Joe Jensen appeared on Flower Funeral. The latter received a cassette release on Crafted Sounds (U.S.) and Galaxy Train Records (Japan). Z Tapes issued the 20-track collection Sequential Sakura that October. Another collection of otherwise discarded ideas and demos arrived in the form of sorryidroppedyoufrommyanimelist. With production help from prior collaborator John Mello, even the rougher demos demonstrated a tendency toward more structured, melody-focused songs.  High Sunn released its first studio recording, the Hopeless Romantic EP, in May 2017. Also its first full-band recording, Cheromiah was joined in the studio by Jensen on drums, lead guitarist Freddy Rivera, bassist Arianna Vazuez, and producer/engineer Dylan Wall. Made with the same team, High Sunn's full-length studio debut, Missed Connections, followed in May 2018 on Pnk Slm. ~ Marcy Donelson, Rovi Please Subscribe to our channel for the latest Cleopatra Records releases @cleopatra-recs http://cleorecs.com/
(P) (C) 2019 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws -------------------------------------- #cleopatrarecords #lofi #garagerock #highsunn #shoegaze #punk #bedroom #bedroompop #hopelessromantic

Sleeping Lessons is one of my favorite songs of all time and I figured I'd give it a go as the first track I ever produced. Enjoy! Follow me on socials: Instagram: @karliwebstermusic Twitter: @karliwebster Youtube: https://www.youtube.com/channel/UCIUly4vG_12jFKlOKMAsbGw Listen to my debut EP, BITTERSWEET, OUT NOW! Spotify: https://open.spotify.com/artist/2fIpr8xotIBbCV88zskq9o?si=LeGqxEWDRQekPT1wR__4WA Photo by Paula Neves (@ttlens)

A side from the upcoming 7" by the Leicester, UK, band Dayflower! For their debut 7" single release they have paired an extensively reworked, brighter, bolder mix of 'Sweet Georgia Gazes' with the anthemic live favourite 'Daisy Age'. Tracking of the basic ensemble performances and early mixes of both songs took place at 2Fly, the studios of Sheffield based producer, Alan Smyth. This brand new mix reverts to Alan's crisp, punchy production as its core, embellished with additional vocal harmonies and atmospheric instrumentation by the band. In short, it is how 'Sweet Georgia Gazes' deserves to be heard. To be released fall 2019 on www.cloudberryrecords.com Artwork by Japanese illustrator Risa Konishi.

'Gourmet' remastered for the 2019 vinyl reissue of 'The Week Never Starts Round Here'.

Instrumental, post-rock track.

alone time and reflection are so important to me and i love to have these things in beautiful places; like a garden. lyrics- brick walls, with large vines
 don’t snip the tulips, let them wind
 grab a book and light a candle the smell of roses, at night time
 come and join me in the garden tonight
 golden pothos in delight
 come on it will be alright but don’t forget the feelings pass by

 the flowers all above my head 
I’m on that wooden bench
 I’m waiting everyday for you to see
 that the garden needs water baby
 but what could open your eyes
 you never even made up your mind 
please just listen to me
 i don’t wanna sound needy

 something told me that
 you planted a new seed
 now i see it still
 this is not what i need come and join me in the garden tonight
 golden pothos in delight
 come on it will be alright but don’t forget the feelings pass by

 the flowers all above my head 
I’m on that wooden bench
 I’m waiting everyday for you to see
 that the garden needs water baby
 but what could open your eyes
 you never even made up your mind
 please just listen to me 
i don’t wanna sound needy

 I’ve been getting lost
 the broken flower pots
 maybe i need some time I’ve got to enjoy the ride

 the flowers all above my head 
I’m on that wooden bench 
I’m waiting everyday for you to see
 that the garden needs water baby
 but what could open your eyes
 you never even made up your mind
 please just listen to me 
i don’t wanna sound needy

 the flowers all above my head nothing even made sense 
 there’s just something about
 the feeling when the lights dim down 
i only spend time alone
 cuz baby i heal at home 
so i stay in the garden 
cuz writing is how i cope

Today may not be a day of excellence but thank you for sharing in my charade And I can almost hear the patriotic songs of the mood brigades inside your head And rendered careless by design I confide in my black mirror it says More matter please and less art we want back story and motivation And she said you're a good person but you have bad ideas And you may not understand but of course you'll never know How I pictured us embracing in the sunset or something like a movie or maybe a song And it's so tastefully done as we say goodbye and walk away and I'm Momentarily distracted by the ocean or a sunset denoting impermanence or something We take these pieces of a life never meant to fit together all these Actions that a man might play to tell his story to try to find his way And he said my kids help keep me relevant but I don't know who I am Words/Vocal/Arrangement @wheelwright Electric Guitars/Arrangement @jonathan_beckenstein Music/Arrangement/Mixing/Production by Monotronaut Mastered by Gus Elg at Sky Onion Mastering I've long been a fan of Jonathan And Wheelwright, but as much as I wanted to collaborate with them over the years, I didn't have the right track that I felt was in their style. Instead of forcing a collaboration to happen, randomly I was listening to this unfinished track that I couldn't stop imagining Wheelwright singing on. So I approached him with the idea of collaborating. It may have been somewhat unexpected, given that the original track I sent him was a stripped down synth pop song. I assured him that it was just a simple guide for his vocal, the chord progression would essentially be the same, but the final track would sound nothing like what he was hearing. I didn't know myself what it would sound like, I just knew it wasn't that. On that note, when I hear Wheelwright I also think of his work with Jonathan Beckenstein. I have talked with Jonathan in the past about collaborating, but nothing I was working on then was a good fit at the time. Since I had this track that I felt was complimentary to Wheelwright's voice, I thought about Jonathan who has a sound that is quite complimentary to his voice as well. Perfect I thought, I've been wanting to work with both of these guys I greatly admired, why not all of us together on the same track? Thank you both for your efforts to help me bring this 'vision' together. It really wouldn't work without you guys...

The Modern Strangers release their brand new EP ‘Visions’ on July 12th through Hoolay Records. The EP features four glorious tracks including their latest single and EP title track, the electro-pop gem Visions, previous single, the bewitching, disco infused ‘Magic Hour’, plus two brand new tracks ‘Parallel’ and live favourite, ‘Be Your Lover’. Listen to the EP HERE The EP was produced by Gordon Mills Jr and was written and recorded in LA and London. Lead single ‘Magic Hour’ was met with a rapturous response on release, hitting the #2 spot on the Hype Machine Chart and is accompanied by a video shot on a glacier in Iceland as well as their homeland of Dungeness and Camber. Watch the video HERE To tie in with the EP release, tickets go on sale today, July 12th for The Modern Strangers autumn UK headline tour including at date at Oslo, Hackney on October 26th. Tickets on sale at www.themodernstrangers.com 19th Oct – Southampton, Heartbreakers 21st Oct – Bristol, The Crofters Rights 22nd Oct – Glasgow, Broadcast 23rd Oct – Birmingham, Sunflower Lounge 25th Oct – Liverpool, Jimmys 26th Oct – London, Oslo (Hackney) Fronted by brothers Max & Archie Davenport, the Tunbridge Wells band first sprang to life off the back of debut single 'Vanilla', earning them early support from BBC Introducing and BBC Radio 1. Subsequently self-releasing seminal singles 'Hot Rain', 'Margarita' and 'Coco Hello' in the midst of a busy summer of shows. Winning over new fans eager to hear more from their incendiary live set and leading to signing a publishing deal with BMG. Last summer saw them hitting stages across the UK on their first tour, a plethora of festivals (Latitude, Isle of Wight, Standon Calling and The Great Escape amongst others) to their first European dates, supporting Flor, including shows in Paris, Berlin and Amsterdam (along with a headline set for Gibraltar's National Day celebrations). Following on from the band's debut EP 'Meltdown Mechanics' released in June last year to wide support from key blogs, tastemakers and streaming platforms (clocking up over a million plays on Spotify), the band have been working on tracks in LA with their producer Gordon Mills Jr, ready to unleash their sophomore EP. 2019 saw them start the year with sell out shows in London, Manchester and Coventry, along with being picked by Annie Mac for her first "Future sounds" feature of the year and Jack Saunder's "Next Wave"; further showing the band to be far more than just algorithm approved purveyors of perfect guitar pop. (You can’t fault scientific research, see the clip here). They recently toured the UK in support of Flor for the second time and also supported All Twins at Oslo, Hackney. Their unique brand of spiralling, euphoric electronic indie pop is continuing to inject a sense of fun back into guitar music.

From their forthcoming EP 'No Slash' out on Permanent Slump D/L & CD 26/7/19 The Birthmarks are a band based in Manchester, England formed by the twin creative talents of Dylan Hughes and Edwin Stevens, who grew up together in the nearby welsh seaside villages Llanfairfechan and Dwygyfylchi. The pair moved to the North West of England and formed the pop band Sex Hands who established a cult following in the UK before dissolving, resulting in the establishment of the Birthmarks. They predominantly now perform as a four piece; Alex Hewitt on drums, Dylan Hughes on Guitar/Vocals and new members Bryony Dawson on Bass & Henry Withers on Guitar/Keys/Vocals - but occasionally are joined by original member Edwin Stevens on Guitar/Vocals.  Collectively they are/have been involved in many diverse bands throughout the uk DIY music scene, including but not limited to Irma Vep, Aldous RH, Lovvers, Egyptian Hip Hop and Inland Taipan. As a group they create something both familiar and slightly imperfect, through their process of constructing a melody and then tarnishing it.

NEW SINGLE GO HAWAII From da Cove.

This song is about that person you're thinking about. Lyrics: "Falling down with me, i picture livin’ with you. Forget how to speak, i started humming a tune. You can say you miss me not by how youre living. Its a different sort of feeling when youre stuck in the living room. You forget to eat. I have you smoke in the room. You've been dodging me, as if i ever knew. Even when you kiss me i dont feel im living. Its a sort of feeling when im lying in the living room. You can say you miss me not by how youre living. Its a different sort of feeling when youre stuck in the living room, I havent found you yet, i want your pity sex. Lay me out. So tie me up, you. I havent found you yet. I want your pity sex. Lay me out. Just plan it out, play me out. Lets plan it out. Falling down with me, i picture living with you. Forget how to speak, occupying the blues. Im stayin' away from you. Staying away from you."

'The Clearing' remastered for the 2019 vinyl reissue of 'The Week Never Starts Round Here'.