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#Classical

  • BWV 847 Prelude In C Minor
    seancostello
    01:23
    170

    Bach Prelude in C Minor (BWV 847). 4 tracks of Moog Grandmother. 2 for left hand, 2 for right hand. ValhallaVintageVerb used on a send.

  • "Naval" by Yann Tiersen
    Ahmed
    02:43
    Piano Solo
    3,174
  • Udja kaale kawan tere | Piano | Gadar
    Brahma Pratap Shukla
    00:55
    Piano
    83
  • Kindling for pierrot plus percussion
    Charles Peck Music
    08:09
    126

    Performers: Civic Orchestra of Chicago (Christy Kim – flute, Gordon Daole-Wellman – bass clarinet, Wai Chi Tang – Percussion, Pei-yeh Tsai – piano, Maria Arrua – violin, and Nicky Swett – cello) Program Notes: Kindling is a reflection on the spontaneous, yet repetitive motion of fire. From the outset of the piece, the ricochet bowing of the cello and the steady pulse of the kick drum stoke the flame, while the violin flickers and flares in response. As the piece builds, a flurry of tremolos and natural harmonics are used to express motion that is both active and static. Eventually, the ensemble, led by the piano and strings, conjures a steady orange glow with a series of phrases that quickly appear and dissipate. The rapid alternations between these distinct phrases coalesce to form a continuous, burning texture.

  • 01 Martello - Emilie Levienaise-Farrouch
    Fat Cat Records
    04:18
    Piano
    901

    French pianist / composer Emilie Levienaise-Farrouch returns with the stunning 'Époques', her sophomore album for FatCat's pioneering 130701 imprint. Witnessing an increased assurance and dynamism in both Emilie's playing and composing, 'Époques' marks a big step forward for the London-based artist. A bold and adventurous album that alternates between passages of emotive, sinuous solo piano; stirring compositions for viola and cello and some beautifully sprawling electronics, it has been masterfully pieced together to further reveal a unique and intelligent sense of artistry, and a composer who really does deserve your full attention. 'Époques' is a deep, forceful, at times difficult, listen - a true shifting through the various registers of emotion, from dark to light. Whilst fans of artists like Max Richter, Dustin O'Halloran and Jóhann's Jóhannsson ought to surely find much to love in this album, and parallels may be found to a progressive new breed of female peers like Claire M Singer, Lucy Railton and labelmate Resina, it is a record that genuinely sees its maker finding her own space, fully formed and conclusively set aside from peers and influences. No mere background listen, 'Époques' is a proper journey of an album – a record to immerse yourself into; that stands up to and rewards repeat listening, revealing itself more and more over time.

  • All You Need To Know
    HannaGlameow
    04:00
    64

    This is a song i wrote for my mom's birthday.

  • PENNY RIMBAUD(CRASS) Intro
    Cold Spring
    05:37
    Dark Jazz
    106

    PENNY RIMBAUD 'Oh Magick Kingdom' MCD (CSR259CD) Originally released in a tiny self-financed run of just 60 CDs in 2011, Cold Spring are proud to give this impossible-to-find release by Penny Rimbaud (CRASS) the wider attention it deserves. 27 minutes of dark jazz, industrial, bursts of repetitive noise rock and foreboding classical cello, with the initial music laid down by New York duo JAPANTHER, and organically interwoven with the punk poetry of Penny and other Shakespearean 'voices'. The lyrical subject centres on broken relationships and the conflicts which can exist between love and desire. All elements were recorded at the legendary Dial House in Essex. "In late Spring 2011, my dear friends and workmates Ian Vanek and Matt Reilly, of the Brooklyn-based band Japanther, were passing through the UK and stopped by at our studio at Dial House to lay down a track for me to do whatever I could with. I was away at the time and, when I returned, the track was recorded and Ian and Matt had headed back to the States, leaving me a scribbled note saying 'get on with it!' I’d recently performed with Japanther in Manhattan in their massively ambitious and successful punk opera, 'Dinosaur Death Dance', so I felt pretty much bound to come up with something equally spectacular. Using the basic drums and bass track which Japanther had left me to work with, Tony Barber, Exitstencil's then sound engineer, programmed a track around which I was able to weave 'Oh Magick Kingdom', a poem which at that time I had not fully completed. Bit by bit, and in an extraordinarily organic and, dare I say it, 'magical' way, the piece came together as it now stands. In essence, the poem's subject is that of broken relationships and the conflicts which can exist between love and desire, so it was, I suppose, fairly inevitable that my mind would wander towards Shakespeare's 'A Midsummers Night's Dream' and then, for its further play on alchemics, on to 'The Tempest'. Both works are directly quoted from in my poem and, in this production of it, Oberon's sung parts are borrowed with the utmost respect from Benjamin Britten's exquisite opera, 'A Midsummer Night's Dream'. Apart from that, the music was improvised around the rhythm track and the guide vocal which I had recorded to it". Penny Rimbaud. April 2018. Barcode: 0641871745166 Order CD: http://store.coldspring.co.uk/index.php?route=product/product&product_id=7257 Order via Bandcamp: https://coldspring.bandcamp.com/album/oh-magick-kingdom-csr259cd .................................................................................... http://www.coldspring.co.uk/discography/csr259cd MCD Out 6th August 2018

  • Iluikatl
    Bestialchito
    10:26
    Classical
    94

    "Iluikatl" means sky, heaven, firmament, cosmos. This is just a demo recorded with realistic sounds. I hope someday an orchestral chamber ensemble record this piece.

  • Futuro Antico - Dai Primitivi All'Elettronica (excerpt1)
    meditations
    03:23
    Ambient
    117
  • Namerof- SWE
    Dansdi
    03:57
    Classical
    92

    This is the premiere of Namerof, performed by the Symphonic Wind Ensemble (SWE) in the Spring Concert (5.23.2018) and conducted by Mr. Foreman himself. Written to recognize the incredibleness of my band director, Mr. Foreman, and all he has done for our band program. :) This recording was made by Bandman Music ([email protected])

  • Shostakovich Prelude for two cellos
    Maya Paredes
    02:20
    Classical
    38

    I. Prelude from Five Pieces for two cellos by Dmitri Shostakovich Osheen Manukyan (cello I), Nicholas Castaño (cello II), and Maya Paredes (piano)

  • 02 The Only Water - Emilie Levienaise-Farrouch
    Fat Cat Records
    04:35
    Piano
    769

    French pianist / composer Emilie Levienaise-Farrouch returns with the stunning 'Époques', her sophomore album for FatCat's pioneering 130701 imprint. Witnessing an increased assurance and dynamism in both Emilie's playing and composing, 'Époques' marks a big step forward for the London-based artist. A bold and adventurous album that alternates between passages of emotive, sinuous solo piano; stirring compositions for viola and cello and some beautifully sprawling electronics, it has been masterfully pieced together to further reveal a unique and intelligent sense of artistry, and a composer who really does deserve your full attention. 'Époques' is a deep, forceful, at times difficult, listen - a true shifting through the various registers of emotion, from dark to light. Whilst fans of artists like Max Richter, Dustin O'Halloran and Jóhann's Jóhannsson ought to surely find much to love in this album, and parallels may be found to a progressive new breed of female peers like Claire M Singer, Lucy Railton and labelmate Resina, it is a record that genuinely sees its maker finding her own space, fully formed and conclusively set aside from peers and influences. No mere background listen, 'Époques' is a proper journey of an album – a record to immerse yourself into; that stands up to and rewards repeat listening, revealing itself more and more over time.

  • 양다일 (Yang Da Il) - 미안해 (Lie)
    Muru
    03:54
    Piano
    910

    i. Title. Yang Da Il - Lie. ii. Date. Original Sound at 29, Dec, 2017. Piano Cover Sound at 13, Jul, 2018. iii. Info. - about Original Sound Words & Music by Yang Da Il and 3 Artists. - about Piano Cover Sound Arranged & Played & Mixed by Muru Music. iv. Youtube Channel www.youtube.com/channel/UCQ-HUnLsZuJMKNre_Nu8kBA

  • Lonely(Improvise Music)
    RUQOA's Memory
    04:17
    Classical
    187

    I tried to improvise.

  • Wir Möchten Jesum seh'n
    jpzimmer
    01:31
    300

    Trauerfeier für Schwester. Kusche. Neuapostolische Kirche Pforzheim-Brötzingen Saxophon und Klavier

  • Piano Etude No. 4 in C minor
    Fanchen
    01:56
    Classical
    92
  • Pehli Baar | Dhadak | Instrumental Cover
    Ashwin Kolhe
    03:07
    Bollywood Instrumental
    6,137

    Presenting piano cover for "Pehli Baar" song from the movie Dhadak Follow on FaceBook: https://www.facebook.com/bollywoodinstrumentals/ Instagram: @nerdmusic7 Twitter: @nerdmusic7 SoundCloud: www.soundcloud.com/ashwinkolhe DTube: https://d.tube/#!/c/ashwinkolhe YouTube: https://www.youtube.com/channel/UCCfvc6rurqCpyj4Zb_flDFw All covers: https://www.youtube.com/playlist?list=PLSPY1nBpUSsoziYV_U_DwYfDOlN74Izlz I acknowledge the composer and only try to present a instrumental cover of the song.

  • Landscape
    Fernanda Boniatti
    04:03
    Piano
    122

    Composição: Fernanda Boniatti Gravação e mixagem: Ramon Gomes

  • Piano Stuff [2017]
    Bean.
    09:03
    Piano
    781
  • Anit's waltz
    Jeka Sofiychuk
    02:04
    Classical
    121
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