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#Classical

  • Like a Machine
    Steven Gutheinz
    02:42
    Classical
    280

    Music for piano and orchestra.

  • Crisscross
    Kikuoka
    01:59
    278
  • The sky is raining - Dina El Wedidi
    invisible
    04:29
    6,939
  • 2. Shida Shahabi - Chloris
    Fat Cat Records
    02:35
    Piano
    239

    ‘The Sea at The End of Her String’ is a seven-track EP that highlights three adventurous, hugely talented female artists from the current roster of FatCat’s pioneering 130701 imprint. Featuring seven exclusive new tracks, the EP is available both digitally and in a limited edition, one-time-only vinyl pressing of 300 copies to be sold alongside a short, triple-bill UK tour. Both tour and EP feature the same three artists – French pianist / composer Emilie Levienaise-Farrouch, Polish cellist Resina and Swedish-Iranian pianist Shida Shahabi, whose debut LP, ‘Homes’, will be released in mid-October. Full info here: 130701.com/release/the-sea-at-…-end-of-her-string/ The tour dates run as follows: 27 Sep - Church Of The Annunciation, Brighton, UK 28 sep - Rough Trade Bristol, Bristol, UK 29 Sep - Union Chapel, London, UK - **LUNCHTIME Show for Daylight Music 30 Sep - The Hot Tin Faversham, UK

  • Antonio Vivaldi (1678 - 1741) Aria Di Giga - GLF - Le Septembre 2018
    Gaston Philippe la Fontaine
    00:55
    Klassiek
    16

    Antonio Vivaldi (1678 - 1741) Aria Di Giga

  • Nocturne no. 20 (Frédéric Chopin) [TQP only]
    Matteo Pagamici
    02:39
    360
  • Kim Myhr / Quatuor Bozzini / Caroline Bergvall / Ingar Zach: past the (excerpt)
    HUBRO
    04:59
    344

    Kim Myhr announces new album "pressing clouds passing crowds" due for release on November 23rd. The guitarist, composer and performer Kim Myhr, whose previous Hubro release, ‘You | me’, received the accolade of a shortlist nomination for the prestigious Nordic Music Prize, composed the extraordinary music and text piece ‘pressing clouds passing crowds’ as a commission for the 2016 FIMAV-festival (Festival International de Musique Actuelle de Victoriaville) in Quebec, Canada. It features Myhr on 12-string acoustic guitar alongside an expanded version of the celebrated Montreal-based string quartet Quatour Bozzini with percussionist Ingar Zach (Huntsville, Dans les Arbres) and the voice of the poet Caroline Bergvall, reading her own text. “Inspired by meeting poet Caroline Bergvall in 2015 and the music of Robert Ashley that I was listening to at the time, I was wanting to make a longer, slow-moving piece centered around a speaking voice”, says Myhr. "The composition is in six parts, but the parts all blend into each other so that they feel like one slowly changing state of mind.” The result is a triumphant achievement where music and text appear inextricably bound up with each other, with Bergvall’s hypnotic voice and incantatory delivery acting at times like an additional musical instrument, while the string quartet’s stabs, drones and glissando slides provide emphatic punctuation and rich musical counterpoint to the evolving story, which is itself a complex layering of sound and sense, discourse and narrative. Unusually, neither music nor text appears to have have the upper hand. While either could be appreciated on its own, to be read or listened to as self-sufficient entities, they seem to work symbiotically, one medium echoing the other as first words, then music initiates a fresh departure into a new movement. But ‘pressing clouds passing crowds’ is not a ‘setting’ of Bergvall’s words. "I had in fact composed all the parts to the music before any text was written”, Kim Myhr says. “Although I did have the sound of Caroline's voice, which can be both brutal and empathetic at the same time, in my head while I made the music. After a few days conversing together in London, Caroline wrote words relating to the general character of the music and our conversations around it.” Compositionally, Myhr’s music can suggest the meditative intensity of Morton Feldman mixed with hard-edged Reichian minimalism - ‘Different Trains’ meets ‘Electric Counterpoint’, say - and a softer, south Asian-influenced lyricism. while The glue that binds it all together comes from Ingar Zach’s absolutely vital role as the group’s percussionist, moving ceaselessly from one instrument to another as he bridges the gaps between movements and narrows the tonal distance between voice, guitar and strings. "I wanted to take this delicate harmonic language I’ve developed on the 12-string guitar, which I’m at least partly indebted to Morton Feldman for, and bring it into a very warm, intimate sphere”, says Myhr. "The guitar itself helps create this intimacy, as it's a domestic and intimate instrument that people often play in their own house, including their own bedroom. I think Caroline’s voice and words further emphasize this aspect. The listener is brought into the dreamy intimate world of the narrator, gently and floatingly shifting from one state of mind to another." Composed by: Kim Myhr Text: Caroline Bergvall Performed by: Kim Myhr - 12-string guitar Quatour Bozzini Caroline Bergvall - voice Ingar Zach - percussion Tracklist: 1. passing through (12:45) 2. days (06:01) 3. thngs dispr (05:07) 4. past the (06:12) 5. future present (07:25) 6. burning (07:41)

  • 3. Emilie Levienaise - Farrouch - What Remains
    Fat Cat Records
    03:03
    Piano
    197

    ‘The Sea at The End of Her String’ is a seven-track EP that highlights three adventurous, hugely talented female artists from the current roster of FatCat’s pioneering 130701 imprint. Featuring seven exclusive new tracks, the EP is available both digitally and in a limited edition, one-time-only vinyl pressing of 300 copies to be sold alongside a short, triple-bill UK tour. Both tour and EP feature the same three artists – French pianist / composer Emilie Levienaise-Farrouch, Polish cellist Resina and Swedish-Iranian pianist Shida Shahabi, whose debut LP, ‘Homes’, will be released in mid-October. Full info here: 130701.com/release/the-sea-at-…-end-of-her-string/ The tour dates run as follows: 27 Sep - Church Of The Annunciation, Brighton, UK 28 sep - Rough Trade Bristol, Bristol, UK 29 Sep - Union Chapel, London, UK - **LUNCHTIME Show for Daylight Music 30 Sep - The Hot Tin Faversham, UK

  • Harivarasam Viswamohanam
    svasu
    04:30
    265

    The divine song “Harivarasanam” or Hari Haratmaka Ashtakam is sung when the sanctum sanctorum of the Sabarimala Ayyappa temple close for the day at night. At present the temple plays the Harivarasanam recital by noted singer and a strong Ayyappa devotee “Ganagandharvan” K.J. Yesudas'. The Music is composed in Madhyamavathi raga by renowned music director G. Devarajan. The composition has 352 letters,108 words in 32 lines (8 stanzas). It is truly my blessing that I get to cover this song. i have no words to express how blessed i feel.

  • 1st Movement FINISHED
    Marvin du Chatinier
    06:39
    Klassiek
    308

    the 1st movement of my upcomming Symphonie - the end of humanity

  • Solos of the Sea - Solo Violin A - Improv Demo (vln only - no ext. verb/FX)
    Performance Samples
    00:44
    240

    No external verb is used on this lib-only example. Website: www.performancesamples.com Soundcloud: @performancesamples Facebook: www.facebook.com/performancesamples

  • Em muốn hôn anh thêm lần nữa...
    Vic
    02:23
    1,101

    Tên beat: Em muốn hôn anh thêm lần nữa... Producer: Vic Đây là beat free, các bạn hãy follow Vic để ủng hộ mình làm nhiều beat hơn nữa. Vui lòng ghi rõ tên producer và thông tin khi sử dụng beat trên mọi phương tiện truyền thông. Contact Vic: https://www.facebook.com/victoria.dang.31

  • Begin•Again
    Ludvig Cimbrelius
    06:46
    Piano
    296

    Released by https://soundcloud.com/the-games-we-play on the compilation 'New Life' — https://thegamesweplayuk.bandcamp.com/album/new-life-the-fourth-compilation-by 'For Emilia... "For Love presents Its assaults so suddenly, Most Vital Spirits desert and, as they do, Only One Spirit remains alive in me, One Spirit left because it Speaks of You..." (Dante, 'Vita Nuova')'

  • amazinggrace.wav
    BennJordan
    01:00
    Piano
    1,106
  • Messe pour la Création - Le Notre Père
    Diocèse de Lyon
    01:15
    Classical
    627

    Extrait de la messe Laudato Si’ pour la Création composée par Jean-Baptiste Pinault, lauréat du concours 2017. Le 30 septembre à 11h à la Basilique Notre-Dame de Fourvière.

  • It Is To Thee Dear Old Theta Chi
    Jrayluna
    00:41
    Learning
    72

    It is to thee, dear old Theta Chi, We sing our songs of praise. It is to thee, our fraternity, That we our voices raise. And may we always respect thee, and may our faith ne'er die. May we all uphold the name Of dear old Theta Chi

  • All I need - Dina El Wedidi
    invisible
    03:32
    4,842
  • Viool Solo En Orkest Lament
    Faralux
    03:08
    277
  • Lullabye - Billy Joel
    Morgane Boudeville
    06:02
    124

    Récital de fin d'études - Master de chant CNSMD Lyon Piano : Fabrice Boulanger Voix : Pauline Loncelle, Léo Fernique, ArnaudTibere-Inglesse

  • Prelude (Original)
    Raisa Gandi Putri
    01:40
    Classical
    478

    "Prelude" (Original) Composition and piano by Raisa Gandi Putri September 19, 2018 Copyright This piece is an opening to Fall Quarter and to my third year in college, and a welcome to all of my listeners – old and new. So sit back, relax, and enjoy the waltz! ** Image source: Waltz Boston by Olha Darhuk (https://artist.com/olha-darchuk/waltz-boston/?artid=4966)

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