big thank you to my guy huey for working on this piece with me. show him some love, he's real talented ― @hueyy
* Piano coverd by Haeyo * Please check my youtube channel - https://youtu.be/9KQeRvneL7w
Gnossienne No. 1 by Erik Satie Gnossienne: n. a moment of awareness that someone you’ve known for years still has a private and mysterious inner life, and somewhere in the hallways of their personality is a door locked from the inside, a stairway leading to a wing of the house that you’ve never fully explored—an unfinished attic that will remain maddeningly unknowable to you, because ultimately neither of you has a map, or a master key, or any way of knowing exactly where you stand. The Dictionary of Obscure Sorrows هنا هامِشٌ يتقدّمُ أو مركزٌ يتراجَعُ محمود درویش/ طباق
Music for piano and strings.
#the100 #Madi #innocence
'Lo so, sembra che puoi buttare la pasta, ma è fango che zampilla. Un bacio bellezza.' To Daniele, in his loving memory. original music: luca longobardi
track 4 of magic mountain (love songs for idiots)
French pianist / composer Emilie Levienaise-Farrouch returns with the stunning 'Époques', her sophomore album for FatCat's pioneering 130701 imprint. Witnessing an increased assurance and dynamism in both Emilie's playing and composing, 'Époques' marks a big step forward for the London-based artist. A bold and adventurous album that alternates between passages of emotive, sinuous solo piano; stirring compositions for viola and cello and some beautifully sprawling electronics, it has been masterfully pieced together to further reveal a unique and intelligent sense of artistry, and a composer who really does deserve your full attention. 'Époques' is a deep, forceful, at times difficult, listen - a true shifting through the various registers of emotion, from dark to light. Whilst fans of artists like Max Richter, Dustin O'Halloran and Jóhann's Jóhannsson ought to surely find much to love in this album, and parallels may be found to a progressive new breed of female peers like Claire M Singer, Lucy Railton and labelmate Resina, it is a record that genuinely sees its maker finding her own space, fully formed and conclusively set aside from peers and influences. No mere background listen, 'Époques' is a proper journey of an album – a record to immerse yourself into; that stands up to and rewards repeat listening, revealing itself more and more over time.
This track is Marco Turrini's (https://soundcloud.com/seekx-krisis) interpretation of my track Masquerade. I was extremely honored when Marco presented this work. This is 100% done by Marco and all the credit goes to Marco for such dreamy interpretation.
Part 2: Live performance for duet violins. We have composed a piece as a culmination of our studies about traditional music and its decline during the 20th century. We chose African music for this original composition and included inspiration from established Igbo and other African rhythms and tones. We hope this composition will serve as a spark for the rebirth of African traditional music among the sea of modern music compositions, and will also serve as a seed of remembrance in anyone who listens to it. Thank you.
Alabaster Moon Audiobook Series by Stephen Paul & M. Scheherazade
Hi - here is the third piece from my live concert in London last year, featuring the Bergersen String Quartet. I hope you like this piece :)