Uplifting Neo Classical music
Piano Sonata No. 14 "Quasi una fantasia", Op. 27, popularly known as the "Moonlight Sonata", is a piano sonata completed in the year 1801 and remixed in 2018 by Matt Falcone on synthesizers. www.LaserLightShow.ORG/Beethoven
New England Conservatory President Emeritus and Walter W. Naumburg Chair in Music, Laurence Lesser Bach: Suite for Cello solo no 1 in G major, BWV 1007. Recorded live in Jordan Hall, Boston, by Alex Hug
“But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.”
The New England Conservatory Philharmonia led by guest conductor Jefferey Kahane at the keyboard, present Mozart's Concerto for Piano no 25 in C major. Recorded live in Jordan Hall November 6, 2013 by Alex Hug.
"Winter" is peppered with silvery pizzicato notes from the high strings, calling to mind icy rain
Dedicated to those who sacrificed their todays for our tomorrows. Coke Studio presents Rahe Haq Ke Shaheedo. #CokeStudio9
Music for piano and string orchestra.
Inspired by Wuthering Heights, by Emily Bronte.
Man Kunto Maula, Javed Bashir & Ali Azmat, Episode 2, Coke Studio 9 Music Directed by Jaffer Zaidi Produced by Strings In a signature Coke Studio format, the platform has called on the talents of Ali Azmat and Javed Bashir to collaborate and take things to the next level on ‘Man Kunto Maula’. The enigmatic sound is made possible with words of Ali Azmat’s part penned by Sabir Zafir, coming together effortlessly with the kalaam of Hazrat Ameer Khusro. Ali Azmat takes the lead on the verses in his familiar pop-rock vocals, and as the song progresses the heartfelt voice of Javed Bashir grips one ever so tightly. The duos vocals work seamlessly together, as the house band graces the track with their precise and decisive contribution, and the humnawa provide repeating hook for the chorus – truly embracing the very essence of the Qawwali and capturing the soul of everyone that comes within its aural range. #CokeStudio9
My take on Chopin's saddest little prelude. Two and a half minutes of ache.
Raag Bhairavi (Hindi: भैरबी) (Urdu: بھیرویں) is a Hindustani Classical heptatonic (Sampurna) Raag of Bhairavi Thaat. Traditionally it is a morning raga. In modern times, at least in Khyal Gayaki, it is usually performed as the concluding (finale) piece in concerts. It is the defining raga of its own Thaat. Carnatic music has a Bhairavi raga which is quite different from the Hindustani raga. Hanumatodi in Carnatic music has the same scale as the Bhairavi in Hindustani music.